![]() This trendy short hairstyle with undercut sides can accommodate any guy’s sense of style. High Undercut Fade with Textured Slicked Back Hair Plus, the edge up and beard fade are just exceptionally badass finishing touches. The burst fade curves around the ear and down the neck, highlighting the short mohawk on top. The mohawk fade offers a really cool short men’s hairstyle, if you can pull it off. For a bolder finish, add a hard part and shape up. As one of the best business haircuts, you can wear it to the office or out at night socially. This side part looks handsome and clean-cut with a low fade. Versatile, modern and edgy, it’s an awesome style that looks good for any occasion. Using the right styling products for curly hair can make a huge difference in properly pulling off this style.īrush back your short hair with an undercut to create this classy hairstyle. Take advantage of your unique volume and texture. If your hair is curly, a high fade and short haircut on top can look chic and sleek. Get taper faded sides to accentuate the styling on top. If you have short thick hair, spike up the front to style a quiff. Pair this sexy men’s short hairstyle with a high taper fade and line up to achieve a sharp natural look. The crop top is styled by brushing your hair forward to create a short fringe, much like the Caesar cut. Short hair with a fade is simple and on-trend. Brush the hair back and up for a classy styling, and add a beard for a masculine look. Ask your barber for a low taper fade coupled with a short to medium-length cut on top. The blowout haircut is cool, casual and fresh. The comb over looks good with a shiny pomade or matte wax. With a short fade on the sides and back, all men have to do is sweep the hair to one side. The comb over fade has been a favorite in barbershops for years now. ![]() With a mid bald fade and very short hair on top, guys can use a strong pomade with a matte finish for a textured, natural look. Shorty messy spikes with faded sides are easy to work with. Short Hairstyles For Men Short Spiky Hair with Faded Sides 1.50 Hard Part Pompadour with High Fade.1.49 Curly Hair Top with High Bald Fade.1.48 Taper Fade with Textured Side Swept Hair.1.47 Textured Spiky Hair with Skin Fade and Line Up.1.46 Messy Hair with Low Taper Fade and Beard.1.44 Textured Spiky Hair with Mid Fade and Edge Up.1.43 High Temple Fade with Textured Tousled Hair.1.42 Hard Part Comb Over with Fade and Beard.1.41 Curly Crew Cut with Side Swept Hair and Mid Fade. ![]() 1.40 Short Sides with Layered Top and Side Swept Hair.1.39 Thick Comb Over with Razor Fade and Beard.1.38 Low Taper Fade with Part and Textured Slick Back.1.35 Textured Quiff with Tapered Sides and Beard.1.34 Modern Pompadour with Taper Fade and Beard.1.32 High Taper Fade with Part and Spiky Hair.1.31 Disconnected Undercut with Long Slick Back.1.29 Temp Fade with Line Up and Brushed Up Hair.1.27 Quiff with High Skin Fade and Beard.1.26 High Skin Fade with Long Thick Comb Over.1.24 Buzz Cut with Shape Up and High Fade.1.22 Short Faux Hawk with Low Fade and Beard.1.16 Comb Over Pomp with Low Fade and Edge Up.1.15 Brushed Up and Swept Back with Classic Taper.1.13 High Razor Fade with Textured Crop. ![]()
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![]() Calendar 2Īnother highly versatile option, Calendar 2 keeps you on top of special events and routines. You can even drag and drop an email into the calendar’s icon to use it as an appointment and send out emails through the calendar app. With its highly intuitive user interface, it takes a few clicks to perform various functions. Team members get to work together and exchange notes and comments on a project in real-time through Exchange Server accounts.īut its versatility isn’t marred by complexities. It boasts excellent versatility, thanks to features such as the multiple calendar split-screen and file-sharing features that facilitate teamwork. A scheduling powerhouse, it contains your calendar, email, notes, tasks, and contacts app. This is the ultimate scheduling app for people with hectic schedules. ![]() It’s task management functions include adding/removing notes, setting reminders, and sorting events into various categories. It’s also highly reliable and allows you to keep time without fail. You’re always a few clicks away from arranging your tasks, editing event details, and modifying any part of your schedule on Pro Planner. Pro PlannerĪnother handy, versatile option, Pro Planner, allows you to access a slew of scheduling tools in a breeze. At $50, Fantastical is a bit costlier than the other apps on this list. However, these premium features command a high-end price. It also comes with natural-language processing capabilities that allow you to easily fetch any data related to a schedule, such as an invitee’s phone number and address. The interface comes with a brilliant, colorful, yet intuitive design.įrom the Menu bar, you can quickly access the app to add, review, or update any event entry on the app. From the first impression, it's easy to believe that the app is exceptional. FantasticalĪs its name suggests, Fantastical comes with a fabulous collection of scheduling features. You can also make the calendar pop up on your screen anytime by pressing customizable keyboard shortcuts. To ease the prioritization, the app allows you to mark entries with different colors based on their level of priorities. Assessing your schedule entries on the app is as simple as tapping the app’s icon in your Menu bar or notification center widget or pressing the customizable keyboard shortcut. This is another highly intuitive calendar app that lets you easily get down to the brass tacks of your schedule with just a few clicks. With its highly intuitive user interface, it allows you to easily install, use, and update it. The app also allows you to easily incorporate data from other calendar apps that use CalDAV, such as those of Google, Microsoft, and Yahoo. In addition, it allows you to synchronize your calendar entries across all devices in your Apple ecosystem through iCloud. When it comes to storing data related to your schedules, the app provides you with an exceptional solution. ![]() You can expect Apple’s proprietary calendar app for Mac to compare favorably with just about any other calendar app for Mac. Wondering how to choose the best calendar app for Mac OS 10.15? The following is an overview of what’s in store for you in our selected calendar apps. Here’s a quick rundown of the 10 best Mac OS 10.15 Calendar app: Read on to find out the 10 best calendar apps for your Mac. However, the best calendar apps on Mac OS 10.15 come with a variety of scheduling features that help you live an easier lifestyle. Some calendar apps only go as far as providing you with correct dates. They’ll allow you to take a quick glance at all your weekly or even monthly schedules with just a few clicks of a button. The best calendar apps on Mac OS 10.15 keeps you notified about every important part of your routine. Microsoft Excel for macOS 10.14 Crashes.Numbers File Can’t Be Open on macOS 10.14.Can’t Open Keynote Files on macOS 10.14.macOS 10.14 Update Not Showing on App Store.Alternatives to Adobe Acrobat for macOS 10.14.Mac Won’t Wake from Sleep on mac OS 10.14.Black Screen after Upgrade to macOS 10.14.Time Machine Stuck on Preparing Backup in macOS 10.14.Apps Freeze or Quit Unexpectedly on macOS 10.14.Merge and Remove Duplicate Contacts on macOS 10.14.Remove and Rearrange Menu Bar Icons on macOS 10.14.Edit Photos with Preview in macOS 10.14. ![]() Method to Back Up Data on Mac before Updating into 10.14.NSUserDefaults key for array of selected calendar IDs. ![]() ![]() ![]() If the jargon appears in either place, you can feel comfortable keeping it in your manuscript.Ĭopyeditors don’t have to spend a great deal of time trying to determine how mainstream a piece of jargon is. The first will tell you if the jargon is common in your industry, and the second will tell you if the jargon has become familiar to a wider audience. In addition to the places I noted above, consider checking industry publications similar to yours and a news database, such as Google News. Offlist didn’t appear on its own, but when paired with onlist, we rewrote the phrasing:Īvoid complaining, either on the list or in private e-mail conversations, about colleagues, listmates, and clients. If you have a funny work-related anecdote that you can share without violating anyone’s privacy or embarrassing anyone, do so. In most places where onlist was on its own, we could just drop it the context was clear already: Could we say the same thing without those terms? Onlist and offlist were less clear although our readers are intelligent and could parse out the meaning, we’d be making them work for it. Listmate seemed self-explanatory once the idea of discussion list had been introduced. Given that the terms were not often found in the mainstream, I hesitated to use them. Another was a book about language usage in a specific culture, while another was a fiction book set in the modern day. Most were books about discussion lists or marketing one was on relationships in the digital world. Still, I checked one more place, Google Books, and came up with a few accurate results. It’s also as a tag on Instagram and Pinterest.īy this point, I had a fair idea that these terms weren’t used much, if at all, outside of discussion lists. It appears in Wiktionary, a Minecraft forum, and discussion comments. They also included some descriptions of activity on a list (as opposed to off it).Ĭ. onlist: Results included social media handles and program commands. listmate: There is some list management software called ListMate that grabs most of the first few results pages about four pages in, I found one result that was in the subject line of a Yahoo Group message.ī. ![]() In the Corpus of Contemporary American English.We could determine whether there would be readers who wouldn’t understand the jargon by determining how well known the jargon was outside of discussion lists. The article was targeting readers who don’t currently participate in discussion lists, remember. The problem was whether the audience would understand the terms. They fit well within the piece, and there were no connotations of the terms to inhibit meaning. In this situation, O’Moore-Klopf was using the terms correctly. Will the audience understand what the author means by this word?.Will any connotations of the word inhibit the author’s intended message?.Does the word fit the style and tone of the text?.Does the word in question mean what the author intends it to mean?.To determine whether the terms are helpful, I apply a list of questions I wrote for deciding whether to use a neologism in a manuscript: Johnson knows that jargon must be helpful to readers or be removed-just like every other word in a manuscript. Given that the article is aimed at folks who don’t currently participate in discussion lists or boards, would those readers understand the terms? I’ve been participating in such discussion lists for a long time, so I didn’t even blink at the terms.īut one of my copyeditors, Andy Johnson, did. While editing the newsletter recently, I came across three jargon terms in an article about email discussion lists by Katharine O’Moore-Klopf: listmate, onlist, and offlist. Instead of automatically deleting jargon, we should be considering whether it’s helpful to the reader. For those familiar with it, jargon can provide a concise way to say something. We’re taught to see it as obscuring meaning, as something designed to keep readers out, so delete it we must. _ Before Deleting Jargon, Ask These Four Questions by Erin BrennerĬopyeditors are trained to spot jargon. Erin is a guest presenter at various conferences on topics of interest to freelancers. The question that editors need to resolve is this: Should I delete jargon? Today’s guest essayist, Erin Brenner, tackles the question by asking four questions about the jargon and its use.Įrin Brenner is the editor of the Copyediting newsletter and the owner of Right Touch Editing. Every editor has to deal with jargon, because every form of writing has jargon designed to speak to the author’s audience. ![]() ![]() ![]() ![]() (4.24) Those working with a build from source have to upgrade to the latest UE version. Here is a summary of every feature included in CARLA 0.9.9! Last but not least, there is a new map in CARLA. The documentation keeps up to date with all of these improvements, and features new tutorials. There is even a new integration with PTV-Vissim. The RSS sensor, SUMO co-simulation, OpenDRIVE standalone mode, and Traffic Manager all have new features, and improved performance. Moreover, previous features and modules are growing strong. Instead, CARLA can now automatically ingest these traffic landmarks directly from OpenDRIVE. Traffic lights and traffic signs will nevermore require users’ manual intervention. This has been simplified for users to use their maps in CARLA out-of-the-box. Especially remarkable is the new map ingestion proccess. There are plenty of announces to make, some of great importance. The development has been brief but intense. This page was last edited on: 01 November 2021Ĭopyright © 2001-2022 German Aerospace Center (DLR) and others.The CARLA team is thrilled to release CARLA 0.9.9! Buckle up, because it comes ready to drift! Will be written with geo-coordinate as well. Option ain-geo true is set and the input network is geo-referenced, generated shapes net.xml file: īy setting the option -polygon-output, any road objects present in the input are When using the option -output.original-names, each lane will receive a which can be used withįurthermore, when exporting to OpenDrive with option -opendrive-output and using option -output.original-names,Įach -element will get an additional element which references theĬorresponding edge id in the. They are generated based on points where the shapes of normal roads and connecting roads meet. Junction shapes are not encoded in OpenDRIVE. These are all sampled with a configurable precision ( -opendrive.curve-resolution ) to produce polylines in the. Geometry in OpenDRIVE takes the form of parametric curves (arcs, spirals and splines). Section is composed by the original lane section's Lane sections - the s-value of the new lane Result, the IDs of the edges are built the same way it would be done for Internally, this is handled by building additional lane section. OpenDRIVE edge is split at the positions the speed of a lane changes. OpenDRIVE allows to define changes of the allowed velocity along a lane.Īs SUMO road networks do not support such a feature, the imported Additionally, lane sections that are very short, this means the Order (increasing s-value) and resorts them, The importer checks whether the lane sections are given in the right Of the lane section within the edge (lane section'sĮxample, the first lane section of the edge '100' is named '100.0.00'.Īssuming the edge has a further lane section starting at Resulting edges' IDs are built from the original edge ID and the offset The importer has to split the imported edge at all lane sections. Lane sections may differ in number of lanes for any of the directions, OpenDRIVE edges may contain one or more "lane sections". Import Process # Dealing with Lane Sections # : can be combined with default typemap to also import sidewalks.: can be combined with default typemap to also import bicycle lanes.This will be used if option -type-files is not set. : default typemap for importing automotive networks.The following edge-type files are available in /data/typemap for OpenDRIVE import: " border", you have to additionally load a Lane types netconvert interprets as speed Īs a conclusion, if you wish to import lanes of type If not set explicitly by the lane within the read OpenDRIVE file: The following attributes are retrieved from the edge Several known lane types are pre-defined, and shown in the following Lane shall be imported by looking into pre-defined and/or loaded edge When reading OpenDRIVEįiles, netconvert determines whether and how a Non-usable building structures, such as curbs. Some of the lanes can be used by vehicles, some represent OpenDRIVE allows to assign a lane to an abstract (not pre-defined)Ĭlass. User Options # Defining Lane Types to Import # netconvert -opendrive myOpenDriveNetwork.xodr -o Netconvert the option -opendrive-files * or -opendrive * for short. ![]() ![]() Requirements necessary to successfully install &DISTRO &DISTROVER. ![]() The following information represents the minimum hardware Perhaps a reorganization of the content for FC5 test3. As long as all the files are there, we can work out which file is called in which order at a later time. Note that the structure of the release notes is currently independent of the structure of the Beats. This makes conversion easier betweek the Wiki and DocBook. Refactoring of files, file names, and content structure to match with. Hardware-reqs-en.xml install-notes-en.xml misc-server-en.xml RELEASE-NOTES-master-en.xml colophon-relnotes-en.xml Legalnotice-content-ru.xml overview-en.xmlĪrch-specific-en.xml backwards-compatibility-en.xmlĬolophon-en.xml development-tools-gcc-en.xml RELEASE-NOTES-en.xml development-tools-en.xml intro-en.xml Next message (by thread): release-notes/xmlbeats beatlist,1.2,1.3. ![]() Previous message (by thread): release-notes Makefile,1.7,1.8.Release-notes arch-specific-en.xml, NONE,đ.1 backwards-compatibility-en.xml, NONE, 1.1 colophon-en.xml, NONE, 1.1 development-tools-gcc-en.xml, NONE,đ.1 package-changes-en.xml, NONE, 1.1 welcome-en.xml, NONE,đ.1 RELEASE-NOTES-en.xml, 1.9, 1.10 development-tools-en.xml,đ.4, 1.5 intro-en.xml, 1.1, 1.2 legalnotice-content-ru.xml,đ.1, 1.2 overview-en.xml, 1.4, 1.5 RELEASE-NOTES-master-en.xml,đ.1, NONE colophon-relnotes-en.xml, 1.1, NONE hardware-reqs-en.xml, 1.3, NONE install-notes-en.xml, 1.7, NONE misc-server-en.xml, 1.1, NONE Karsten Wade (kwade) fedora-docs-commits at Release-notes arch-specific-en.xml, NONE,đ.1 backwards-compatibility-en.xml, NONE, 1.1 colophon-en.xml, NONE, 1.1 development-tools-gcc-en.xml, NONE,đ.1 package-changes-en.xml, NONE, 1.1 welcome-en.xml, NONE,đ.1 RELEASE-NOTES-en.xml, 1.9, 1.10 development-tools-en.xml,đ.4, 1.5 intro-en.xml, 1.1, 1.2 legalnotice-content-ru.xml,đ.1, 1.2 overview-en.xml, 1.4, 1.5 RELEASE-NOTES-master-en.xml,đ.1, NONE colophon-relnotes-en.xml, 1.1, NONE hardware-reqs-en.xml, 1.3, NONE install-notes-en.xml, 1.7, NONE misc-server-en.xml, 1.1, NONE ![]() ![]() ![]() ![]() Since then, it has not only greatly expanded its product range, but grown into a firm that offers consultancy on archaeological background and illustration to groups as diverse as Hollywood movie companies, National Geographic, the ESV Study Bible and the new GLO Bible study computer program.The Arch of Titus stands across the summit of the Via Sacra, looking down on the Forum Romanum, was built as a celebration of the victory of then-legate Titus (later emperor) in the 70 AD campaign in Jerusalem. Ritmeyer Archaeological Design began in 1983, producing posters and booklets as a response to the demand for educational materials on the subject of Biblical Archaeology. No wonder that some of Jesus’ disciples remarked “how the temple was adorned with beautiful stones and with gifts dedicated to God” (Matthew 24.1 Luke 21.5). When the sun rose in the east, its fiery reflection blinded the people who watched the Temple from the Mount of Olives. According to Josephus, Herod’s Temple looked like a snow-clad mountain, for all that was not overlaid with gold was of the purest white and it lacked nothing that could astound either mind or eye. In his description of the Jerusalem Temple, Josephus (War 5.207-10 222-23) is quite clear that the facade of the Temple “was covered with gold all over” … “with plates of gold of great weight” and that “those parts that were not gilt, were exceeding white.” No color was therefore used in the entablature and columns that decorated the Temple’s facade. So, some paint may have been used, but only sparsely. Although evidence for the original coloring remains fragmentary, sufficient information is available to allow us to consider the design strategies that lie behind the color scheme of the temple…” The 2009 study of the remains of the Temple of Apollo on the Palatine by conservator Heinrich Piening, another member of our team, and archaeologist Stephan Zink showed that “most surfaces of the temple were kept uncolored as white marble (probably from Carrara) but a carefully-chosen color palette highlighted strategic elements such as capitals, entablature and doorframe. The comment of archaeologist Stephan Zink in the above mentioned article is interesting: ![]() The colours were chosen on the basis of parallels of painted architectural remains in the Judean Desert at Cypros and Masada.Īs far as I remember, paint was only found on plaster in these sites, not on stone. No remains of any paint has been found so far on any excavated Herodian stone remains in the Temple Mount Excavations led by Prof. Steven Fine had asked me earlier this year what I thought about Eilat Mazar’s color reconstruction of Herod’s Temple Mount, whom she had published in her Complete Guide to the Temple Mount Excavations, p. It will thus expand the reach of the new field of research surrounding polychromy in the ancient world beyond Classics and Classical Archaeology into the fields of Judaic studies and early Christian history. It is also projected to be of great importance for the study of the appearance of the sacred vessels of the Second Temple in the first century CE, as well as of the Herodian building projects in ancient Judaea, especially King Herod’s rebuilding of the Second Temple in the first century CE. The Arch of Titus Project will have important significance for the study of Roman architecture, as no monument of the Flavian period has yet been subjected to pigmentation analysis to reveal its original coloration. Here is the account that has been published by the Center for Israel Studies of the Yeshiva Universtity in New York. Steven Fine noted that in the first presentation at the upcoming April 4 Kennes Torah Umadda (Congress of Torah and Science) in Jerusalem he will be discussing - for the first time in Israel - the discoveries made by the Arch of Titus Digital Restoration Project last summer and the implications of advances in the study of polychromy for the study of the arch (and of Jewish visual culture in general). The reliefs were scanned by Unocad at night to avoid the interference of sunlight. ![]() Steven Fine, which has as its aim the scanning of the menorah panel for evidence of ancient color. In a previous post we reported on the The Arch of Titus Digital Restoration Project in Rome, led by Prof. ![]() ![]() ![]() Since most public parks were closed, community parks within gated residential areas became the most important green space in Chinese cities, and the use of such space might help to reduce the residents stress levels. The findings suggest that outdoor activities and spatial characteristics in urban China differ from Western studies and advance the need to integrate the stress management role of community parks with urban green space policy to optimise the use of community parks blended in with everyday life, particularly during the lockdown period.Ībstract = "During the pandemic lockdown period, residents had to stay at home and increased stress and other mental health problems have been associated with the lockdown period. However, we found that older people showed much lower stress levels, used community parks more frequently, and engaged in more outdoor activities than younger adults. ![]() ![]() There was no significant association between stress level and the use of community parks or the engagement in outdoor activities. Respondents had generally reduced their use of community parks and engagement in outdoor activity. We found that the overall self-reported stress level of the respondents was relatively moderate during the lockdown period. All results have been further analysed by two-sampled t-test to explore the difference between young and old age groups. Ordinary Least Squares regression was used to analyse the association between community park use, outdoor activity, willingness to engage in outdoor activity, and stress level. An online questionnaire survey (n = 1342) was carried out from 23 March to 23 April 2020. This study aimed to investigate to what extent urban residents in China used community parks, engaged in outdoor activity during the lockdown period (23 January–8 April 2020) and if the use of such spaces helped to reduce their stress levels. Since most public parks were closed, community parks within gated residential areas became the most important green space in Chinese cities, and the use of such space might help to reduce the residents’ stress levels. During the pandemic lockdown period, residents had to stay at home and increased stress and other mental health problems have been associated with the lockdown period. ![]() ![]() Straight away just go left against the left edge of the screen. You're safe here now against the left side of the screen. Rinse repeat.Įvade the falling.Oh yikes, hanged women.įirst run near the middle of the screen, then when the (2nd woman to fall) far left woman falls, then quickly run back to the left edge of the screen. Wait here until the far right birds noise/animation begins then quickly dip to the left a bit to dodge it, then get back in position against the right of the screen. Here you only have to worry about one bird, the far right bird. Straight away run up to the very edge of the right hand side of the screen. If you're not on the dirt patch you're safe, but you just have to time right switching sides, as soon as the arms go back in the ground now run over the dirt and you will have enough time to get across it without being caught. ![]() The dirt on the ground will continuously follow you, and every now and then skeleton arms pop out to try to grab you. If you jump just straight up you will die. Just wait, and as soon as you see the blue spell animation begin under your feet then immediately jump UP AND TO THE SIDE only this way it will miss you. The spell will always appear under your feet no matter where you stand. *Lose all lives to die in Level 5 for Times Up! Trophy.* Jump a little early over them so they don't nibble your ankles. Position yourself in the middle of the screen, then simply jump up over them. Jump over the scurrying ravenous critters. So stand still until he goes to throw a rock, as soon as he begins the animation to throw a rock, then run away and it will miss you. The rocks will always go to land right on your head no matter where you stand. ![]() When ginormous ghost comes from the left, move to the right. When ginormous ghost comes from the right move to the left. ![]() Next stand in the middle of the screen directly under the cross in the stone, you're safe here for a while. *For completing your first level you will get the Survived First Challenge! Trophy.*įirst Jump over the ghost coming at you. Move a little to the left to give yourself some more space if you like. Simply press up on the D-pad to jump over the fireballs. *Lose all lives to die in Level 1 for Wrong Turn trophy.* But its more fun to watch and enjoy them of course! *You can press TOUCHPAD to skip the cutscenes if you wish. *It is also recommended to make cloud saves to easily mop up the 3 death trophies, and the 3 endings trophies if you want to as you go, instead of doing multiple playthroughs. *Keep in mind a trophy requires you to complete the full game without losing any lives, to make this easier you can make a cloud save after completing each level if you wish. I decided to even leave in cutscenes for people to enjoy what the full game looks like it takes under 15 minutes to complete all 10 levels, then just use some cloud saves to mop up the 3 death trophies, and the 3 endings.ġ6 minute video showing you a no death full game walkthrough, showing you how to complete all levels using the methods detailed below. Feel free to play the game blind, but its one of those games that doesn't give you any instructions so it can take some considerable time and trial and error to firstly figure out what you are supposed to do lol and secondly how best to beat it But with this guide you'll be done in a snip. So in the next post I'll give you a run down of how to complete each level, with some guaranteed methods I've found. So it does go on sale if you want to keep an eye out for it. Plus I picked it up in the summer sale for about 0.90p (from its original £9.74 PSN store price). It's a unique experimental arty experience, and I'm here for its fabulous freaky style and vibe, any lovers of the strange and unusual like me, should give this one a go Presented in traditional hand-drawn animation, the game consists of 10 freaky various horror themed levels, the story is you are two witches trapped in a demonic survival board game, simply survive to complete the game and escape your doom! Welcome to the weird and wonderful world of Steps Of Doom! The debut mini art project by Souette Studio that released in December 2021. ![]() There wasn't a guide for this game on the internet so I'll make one! Number of missable trophies: Most, none if using this guide.Approximate amount of time to 100%: Under 1 hour. ![]() ![]() ![]() ![]() A failure to comply with these rules will result in a warning and, in extreme cases, a ban.Comments complaining about the article subject or its source will be removed.Note this may include abusive, threatening, pornographic, offensive, misleading, or libelous language. Comments and usernames containing language or concepts that could be deemed offensive will be deleted.Discussions about politics are not allowed on this website. Including a link to relevant content is permitted, but comments should be relevant to the post topic. Comments deemed to be spam or solely promotional in nature will be deleted.Maybe also stop auto querying while we build custom reports, the amount of time I rush to hit cancel in the middle of a query build while adding components because I plan to build my time filter into my dashboard (with bookmark default of a very short period). OR Maybe only allowing that #tickets query with date filter or on unsolved tickets only. Such as Tickets created within Last 1 year tickets dataset and an ALL tickets dataset (make the ALL openly painfully slower or control times used in a year). If this is to lessen processing power on querying #tickets - build in query limitations another way. Support Views wont suffice and the 30 min New tickets (again - if the latter) are covered by tickets created in the updates dataset anyway. ![]() We need reporting of all tickets currently broken down by statuses (at least those unsolved). I very much hope it's not the latter as we have our custom queries built around visibility on current view/queue health (or very near). IS this showing me that in the last 30 mins there were 4 tickets created in that time frame? IS this showing me that as of 30 mins ago there were 4 Tickets at the time in New status? When you say New tickets (30 mins) = 4 tickets For details, see Data refresh intervals for Explore reporting. How often the non-live metrics are refreshed depends on your Suite or Explore plan. Optionally, if you want to report on all-time totals, you can still do so by using the following non-live metrics in the Support: Tickets dataset:įor instructions, see Explore recipe: Creating KPIs for tickets by status. See Adding live data and live filter widgets to dashboards. If you use any of the all-time metrics listed above in any of your custom live dashboards, you will need to replace them with one of the time-bound alternatives. The all-time metrics on the default dashboard will be automatically replaced with the 30-minute time-bound live metric for the same ticket status. If you use only the Explore default live dashboard, no action is needed on your part. ![]() The following time-bound live metrics are available:įor more information on reporting on live data, see Live data widgets for Explore dashboards.Īdditionally, we’ll be replacing the all-time metrics with the 30-minute time-bound metrics for the corresponding ticket statuses on the default live dashboard. The red variation indicator tells you that this is 73 fewer tickets than were submitted in the 30 minutes before that. In the example below, 70 tickets were submitted in the past 30 minutes. With these metrics, you’ll see more meaningful numbers about how your organization’s ticket volume is evolving in real time. These time-bound metrics, which are already available, give you the number of tickets in the specified status within the last 30 or 60 minutes, along with the difference as compared to the previous 30 or 60 minutes. With that in mind, we’re pivoting to use time-bound live metrics instead. When it comes to real-time reporting, all-time metrics don’t provide meaningful insight into an organization’s current performance. These metrics are all-time metrics, meaning they hold the total number of tickets for the specified status for all time. As part of our plan to support our customers as well as the future of Explore, we’re preparing to retire the following live metrics: ![]() ![]() User management of card/ID number and PIN However, if you have 1000 users, you probably need a 7 or 8-digit number. If you have 10-20 users, a 4-digit number is probably sufficient. A good rule of thumb is to make the number 3 digits longer than the number of users in your organization. ![]() If your number is too short, PaperCut cannot generate sufficient numbers to cover all your users. Short numbers are easier to remember and faster to key in, but it is also easier to guess someone else’s number. TIP When generating card/ID numbers, you are asked to specify the length or number of digits you require in the generated numbers. ![]() Specify whether you want users to view their primary or secondary card/ID number. To enable this feature, select the Allow users to view their card/ID numbers check box in Options > General > User Features. See Card/ID number notification for more information.Īllow users to view their number in the user web portal. This is set up in Options > Notifications > Card/ID Number Notification. Send an email to each user with their new number. PaperCut can help with this task as well. Generate numbers as a Bulk User Operation.Īfter you generate numbers for your users, you need to inform them what their number is. (See Synchronize user and group details.) Generate card numbers during your nightly user/group sync operation. (See User management of card/ID number and PIN.) You can:Įnable users to manage their own card/ID number and/or PIN. PaperCut provides a number of options allowing you to choose whether to centrally administer the card/ID numbers or to allow users to generate and manage their own numbers. This might be the ideal solution if you don’t already have ID numbers assigned for other purposes. PaperCut can generate random card/ID numbers for your users. Lookup via an external database (See Database lookup configuration) Import from AD or LDAP (see Synchronize user and group details) PaperCut NG/MF offers a range of tools for managing card/ID numbers allowing for either centrally managed or user managed card/ID numbers:Īutomatic generation of numbers within PaperCut NG/MF (See Automatic card/ID generation)īatch update from an external file (See Batch user card/identity update) Use of either the primary or secondary card/ID number field is optional. You can issue new cards to users and phase out the old card with an overlap period in which they both work. One number can be for a card, and the other for an ID number in case the user misplaces their card.ĭifferent card readers can sometimes read different numbers from the same card, so having two numbers allows both types of readers to be supported. There are many reasons why having two numbers is useful. These are called the primary and the secondary card/ID number. PaperCut NG/MF supports two different card/ID numbers for each user. ID numbers generated by PaperCut NG/MF are always purely numeric. If used as an ID number to be typed at a numeric keypad, a purely numeric number is best. NOTE Although we use the term “number”, PaperCut NG/MF permits any string containing both letters and numbers in the card/ID field. This means that all administrative functions related to card numbers and ID numbers are the same, because they operate on the same database field. As ID numbers can be guessed or learnt by others we recommend a secret PIN be used in conjunction with an ID number when used for user authentication.Īs both card numbers and ID numbers function as a unique number identifying a user, they both share the same field in the User record of the database-the card/ID number. It can be keyed in at a copier, hardware terminal or Release Station as an alternative to username/password authentication. ![]() It can represent a student or employee number or can be a random number. ID number-a unique number allocated to a user. Swipe and proximity cards are often used for user authentication at hardware terminals, copiers and print Release Stations. PaperCut NG/MF supports two closely related features:Ĭard number-the number read from a swipe or proximity card assigned to a user. PRODUCTS FEATURED User card and ID numbers ![]() |
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